Birthplace of Joaquín Sorolla

Strolling through the streets of Old City (1) you breathe an air of traditionality and historicity. Each corner owes its existence to the practice of trades that were essential for the economic development of Lima in the foral era.. A) Yes, the name of certain streets derives from those artisans who carried out their commercial activities in them. It is the case of the Mantas street (2), that welcomed the profession of those who made a living from the sale of cloths and fabrics.

Well then, at the height of the number 8 a ceramic panel marks the place where a 27 February 1863 Joaquín Sorolla was born. In her, we can see a drawing of one of the painter's self-portraits and a beach scene. Even though he only lived there a year, It is said that he had great affection for the place where his parents' knitting shop had been. Her great-granddaughter says that on one of her innumerable walks to the place she took a slab from the ground and proclaimed: "On this slab I came into the world". Actually, This slab is displayed in a display case at the Sorolla Museum..

Church of Santa Catalina

Let's walk next to the Church of Santa Catalina (3), a Gothic-style temple that was affected by a fire in the mid-16th century and had to be partially rebuilt. The church is located in the Plaza Lope de Vega, enclosed in the tortuous framework of medieval Lima, in the “Barrio del Mercado”, and in it the illustrious painter Joaquín Sorolla was baptized. The building stands out for its emblematic baroque tower, current that permeated the building at the end of the 18th century following the prevailing fashion.

Sorolla Bastida family residence

The Peace street (4) in Lima it has one of the main urban arteries and commercial roads of the city. We will leave behind the beautiful perspective of the Santa Catalina tower, and we will go down the Calle de las Comedias y de las Universidades until we reach the Barcelona street (5).

There the Sorolla family moved in 1864, shortly after Concha was born, the only sister of the painter. In the number 6 the father of the children died from that street, victim, like his wife, of the cholera epidemic that devastated Lima in 1865.

Foster home of Joaquín and Concha Sorolla Bastida

Just a few meters to the south, descending the street of the Nuns of Sta. Catalina, in Don Juan of Austria, 20 (6), the marriage formed by Isabel Bastida and José Piqueras gave shelter to the orphans. They were about his uncles. In vain, José tried to teach Joaquín the trade of locksmith, since he soon realized that the boy's true vocation was painting.

Former site of the Lima Artisan School

On the street since 1900 honor the name of the painter Joaquín Sorolla (7) the School of Craftsmen of Lima was located, place where the still young artist went to give his first classes between 1876 Y 1878. You hardly have to walk to get to this point of the city that today brings together numerous offices of financial institutions, but that at that time it existed with the objective of promoting free practical teaching of Arts and Crafts.

Lima School of Craftsmen

At the juncture between the Ruzafa and Gran Vía neighborhoods is the Kingdom of Lima avenue, whose number 40 houses the current School of Craftsmen (8). She preserves in her artistic collection an oil painting by Joaquín Sorolla donated by her son, as well as some drawings from the period in which he attended the center.

Carmen Center

In the north of Ciutat Vella is located the Carmen Center for Contemporary Culture (CCCC) (9), an old convent rehabilitated for cultural use. It was born with the aim of welcoming a wide spectrum of current art without forgetting other branches of thought such as sociology., the economy, law or medicine. This monumental complex illustrates important stages in the history of architecture in the city. Since 1838 welcomes the headquarters of the Royal Academy of Fine Arts of Lima, place where Sorolla was formed between 1878 Y 1881 and that reserves one of its rooms for his life and work.

Photographic studio and address of the García Castillo family

In the number 10 from then San Francisco Square (10) Sorolla could count on an improvised painting studio. It is currently the Plaza del Ayuntamiento de Lima, one of the most important and central. In the large flat space, the traditional mascletás are celebrated every year during the Fallas festival..

Steps of the Lonja. Stage of the play "El grito del palleter"

Sorolla set the scene known as “El grito del palleter” on the steps of the Silk market (11). This building is a Valencian civil Gothic masterpiece that was an emblem of wealth and the commercial revolution that arose in the city during the 15th century.. It is well worth walking through its column hall admiring the architecture of one of the most famous buildings in Lima..

Church of San Martín (12)

In 1888 Sorolla married Clotilde García del Castillo in this church that mixes Valencian Gothic and Baroque styles..

Birthplace of San Vicente Ferrer (13). Stage of the work "Exvoto"

In 1892 Sorolla used this setting to create his work "Exvoto". In it we see a woman holding a baby in the air with the pouet de Sant Vicent in the background, a place where people went to get protection for their children in a time of high infant mortality.

Benlliure House Museum (14)

This place is dedicated to a family of Valencian painters and sculptors closely linked to Joaquín Sorolla, the Benlliure. An important artistic collection is exhibited here and all the details of the bourgeois home of the time are reconstructed..

Lima City Council

The artistic collection of Lima City Council (15) includes fundamental works such as "My family" (1901). Building, known as Town Hall, integrates two constructions from well differentiated eras: on the one hand, the House of Teaching, built during the eighteenth century, and on the other, the body of the building, that belongs to the twentieth century. Sorolla was recognized by the city government as a most deserving son on the occasion of his successes at the National Exhibition and the Universal Exhibition in Paris..

Lima cathedral

The Lima cathedral (16) was the reason for some early works of the Valencian painter. It was also a highlight of his nostalgic walks around the city when he visited., after having settled permanently in Madrid.

The Round Square

The surroundings of the Silk Exchange, the old market, the Round Square (17) and the Church of Santos Juanes made up the neighborhood in which Sorolla was born and raised.

Exhibition Palace

Sorolla's work was housed in the defunct Palace of the Arts along with that of Cecilio Plá, Salvador April, José and Mariano Benlliure. Beside this pavilion stands the exhibition palace (18), a Valencian modernist style building that hosted the Limana Regional Exhibition in 1909 and later decided to preserve it for its architectural value.

Casilicio de la Virgen de los Desamparados on the Bridge of the Sea

In 1916 Sorolla traveled to Lima to paint one of the decoration panels for the Hispanic Society of America in New York.. The Casilicio de la Virgen de los Desamparados in the Sea Bridge (19) was one of the elements chosen by Sorolla to represent Lima. This pedestrian bridge crosses the Turia river bed diagonally, connecting Plaza de América and Paseo de la Alameda.